Monday, March 29, 2010

Cherry Blossom Bridal

Here are two scans of the Fuji instant film I shot today during a bridal session at Coleman Hill.  Cherry blossoms in black and white are oddly beautiful.  More to come when the film comes back.




Tech Notes:
Fuji instant FP-3000B film shot with a Polaroid 600SE and 150mm lens.  

Tease From This Weekend

Here are a couple of quick and dirty scans from the Fuji Instant images I created Saturday at Pineola Farms.  The first is way overexposed, but I like it.  Thanks Jenna and Drew.




Tech Notes:  Fuji 100C color instant film shot with a Polaroid 600SE with 150mm lens.  AND, as further evidence of the super cool nature of Fuji instant film, I left these for about 6 hours before pulling them.  

Thursday, March 25, 2010

London LomoMatrix

Remeber the Matrix?  It was an amazing movie that used ground-breaking technology to change how time, space and motion were depicted on the big screen.  Dozens of digital still cameras were used to create the signature bullet time effect.  It is a relatively simple concept, but wildly expensive to achieve.  It has been used many times since in other Hollywood movies.


So, want to do it yourself on a budget?  Just get 2 dozen friends with their crappy film cameras.  Look below for the results.  Truly amazing what you can do if you use your imagination.


Sunday, March 21, 2010

Preview From This Weekend

Saturday I headed to Clinton, South Carolina for Amanda and Jesse's engagement session.  They live in Athens...the wedding will be in Tallahassee....but, they met at Presbyterian College.  So, I thought PC would be the perfect spot.  It was.  Here are some of the "polaroids" from Saturday afternoon.




Geek Note:  Polaroid 600SE camera with 150mm f5.6 lens.  Fuji 100C instant film.  It was dark, so some of the exposures were 1/15 sec.  I needed a tripod.  Also, a very cool aspect of Fuji instant film is that it is self terminating.  You don't have to pull it after a specific time.  It stops developing when it is finished.  The first image wasn't pulled for over an hour.  

Thursday, March 18, 2010

A Little Update

Spring marks the start of the wedding season.  There will be a lot more updates in the coming weeks.  I have some amazing weddings and engagement sessions coming up that I'll be using to expand my film portfolio.  Stay tuned!


On another note, I added another piece to my film camera collection.  I got a great deal on a Canon A2e on Ebay.  I had two of these many years ago.  I loved them, and I'm so happy to have one again.


As part of buying any piece of film equipment, I shot a test roll of film.  The camera is in perfect working order, but the images I shot were unremarkable.  Here is one that wasn't too awful.



Tech Notes:  Canon A2e with Canon 50mm f1.4 lens.  Kodak 400VC film (a free roll from the Kodak booth at Imaging USA).  Film rated at 200.  Processed and proofed at Coke's Camera, Macon, GA.  4x6 proof scanned by me.

Friday, March 5, 2010

Film is Alive

Southern Weddings Magazine has an article interviewing several wedding photographers who use film.  It is wonderful  that Southern Weddings recognizes the value of film and provided a forum for these luminaries to discuss why they prefer film.  Take a look at the article (via A Bryan Photo).  To add my two cents...I feel an image captured on film more closely matches what the human eye sees.  When you see the print, it matches your memory.

Tuesday, March 2, 2010

It Is Official

This week I booked my first film wedding of the modern era (I photographed weddings for about 5 years on film before switching to digital) and place my first ad for film weddings.  I'm so excited to see what comes of my crazy idea.  Thanks to everyone for the encouragement and concern.



Engaged by Richard

As part of my ongoing testing, I sent some recent rolls to Richard Photo Lab.  They are considered by many to be the best film lab in the country.  I'm very pleased with the results.  I guess you get what you pay for.

These images are from a recent engagement session.  All were shot with my Mamiya 645 AF on Fuji 400H film.  All images are the original, uncropped scans.