A Little "Instant" Gratification

I thought I'd share a few instant images on Fuji instant pack film from my Polaroid 600 SE.  These are from a bridal/trash the dress session from last week.  I photographed Ashli's wedding a few years ago and she was kind enough to be a guinea pig for my film exploration.  We drove to Gordon to her grandfather's farm and it was totally worth it.  The rest of the film is in California, but I'll post it as soon as it is back.  If these are any indication, the film should rock!

And, just in case no one has come up with this, here is a great way to recycle your Fuji pack film cassettes.  I use them as a frame to display my favorite image from the set.  It is, of course, the perfect size!

Analog Isn't Dead

When you start down the path to crazy, you find there are many others on the path with you.  There is a large community of film nuts all trying to save their beloved medium of choice.  Some are even finding new ways to create images using analog technology.  


One such person is Aaron Muderick.  He has created a technique to create negatives from instant Fuji film.  You might wonder why this is important.  Simply, you can create a 3x4 inch negative without a darkroom using only normal household items.  Here is a link to the Inside Analog Photo podcast where he details the process.  You can also see examples here and here.


I'll post some examples once I give it a try.

I Mean Old School

I found this post this morning on the blog of A Bryan Photography.  It is an 8mm movie shot at a recent wedding.  That would have been cool enough, but it shows the photographer shooting the groomsmen with what appears to be a Speed Graphic!  (Look at about the 2:30 mark on the video.)  That is commitment to the analog medium.


Our Wedding from Caleb Chancey on Vimeo.

Brilliant Inspiration

I found this throught Tim Gruber's wonderful blog.  Unfortunately, the link to the original post doesn't work, but I found another copy of it on Frank Chimero's blog.  (Frank includes really cleaver illustrations along with the text.)


It is a list of 10 principles that can either make your work better or worse.  I'm not sure how they could make it worse.  These principles are powerful and I found them very appropriate to my return to film.  Here are a couple of my favorites, but follow the links to read them all.  Then do them all.


8. Being too comfortable is dangerous. Most creatures die in their sleep. Keep moving, or get eaten. The only things you should be absolutely comfortable with in your creative process are your tools.


9. There is nothing keeping you from doing the sort of work that you wish.What do you want? It’s a hard, yet crucial question. We all do creative work to get happy. It’s why we let it beat us up, and it’s why we keep crawling back to it. Figure out precisely what you want, and realize that if no one will pay you to make it, you can still make it for yourself. And you still win, because you’re happy.

Straight From The Wayback Machine

Here are a couple of images from my original portfolio that I'm not embarassed to show.  I actually think they held up pretty well.

The first is an iris I photographed on 35mm film with my Canon Elan II.  I lit it with a work light from Lowes.  I was so pleased because it looked like I envisioned it.  It still hangs in my living room at home.

This is a portrait of a friend of a friend.  It was taken with my Elan II at Rose Hill Cemetery.  I normally tell people to avoid dappled shade, but I think it works here.