Analog Isn't Dead

When you start down the path to crazy, you find there are many others on the path with you.  There is a large community of film nuts all trying to save their beloved medium of choice.  Some are even finding new ways to create images using analog technology.  


One such person is Aaron Muderick.  He has created a technique to create negatives from instant Fuji film.  You might wonder why this is important.  Simply, you can create a 3x4 inch negative without a darkroom using only normal household items.  Here is a link to the Inside Analog Photo podcast where he details the process.  You can also see examples here and here.


I'll post some examples once I give it a try.

I Mean Old School

I found this post this morning on the blog of A Bryan Photography.  It is an 8mm movie shot at a recent wedding.  That would have been cool enough, but it shows the photographer shooting the groomsmen with what appears to be a Speed Graphic!  (Look at about the 2:30 mark on the video.)  That is commitment to the analog medium.


Our Wedding from Caleb Chancey on Vimeo.

Brilliant Inspiration

I found this throught Tim Gruber's wonderful blog.  Unfortunately, the link to the original post doesn't work, but I found another copy of it on Frank Chimero's blog.  (Frank includes really cleaver illustrations along with the text.)


It is a list of 10 principles that can either make your work better or worse.  I'm not sure how they could make it worse.  These principles are powerful and I found them very appropriate to my return to film.  Here are a couple of my favorites, but follow the links to read them all.  Then do them all.


8. Being too comfortable is dangerous. Most creatures die in their sleep. Keep moving, or get eaten. The only things you should be absolutely comfortable with in your creative process are your tools.


9. There is nothing keeping you from doing the sort of work that you wish.What do you want? It’s a hard, yet crucial question. We all do creative work to get happy. It’s why we let it beat us up, and it’s why we keep crawling back to it. Figure out precisely what you want, and realize that if no one will pay you to make it, you can still make it for yourself. And you still win, because you’re happy.

Straight From The Wayback Machine

Here are a couple of images from my original portfolio that I'm not embarassed to show.  I actually think they held up pretty well.

The first is an iris I photographed on 35mm film with my Canon Elan II.  I lit it with a work light from Lowes.  I was so pleased because it looked like I envisioned it.  It still hangs in my living room at home.

This is a portrait of a friend of a friend.  It was taken with my Elan II at Rose Hill Cemetery.  I normally tell people to avoid dappled shade, but I think it works here.

Fashion Bridal

I was lucky to get Jessica to agree to do a bridal session on film.  Knowing that she is a working model, I had my work cut out for me.  I sent her to my stylist (Kasey at Chadwick Hudson Salon in Macon) for a super crazy hair style and we spent an hour creating images that are unlike anything I've ever done.  


These images were captured on Fuji 400H with a Mamiya 645 AF with an 80 f2.8 lens.  I tried a new lab.  The scans were not to my liking, so these images have been post processed and cropped.

Dear Santa...

I would like one of these.  It is a film camera.  It is a Leica.  And it is Orange!  It is almost $15,000, and there are only 100 available worldwide.  Oh well.

Another Image

Here is an image from a recent "engagement" session at Washington Park.  They are actually already married.


Mamiya 645 AF with 80mm 2.8 lens on Kodak 400NC.

Film On The Move

The love of film can take many forms.  I choose to use the still image.  Joel Serrato uses moving images.  He using Super 8 film to capture the moments that make his clients' days unique.  His films are amazing.  They simplify.  They focus.  They capture.  Take a look here to see what I mean.

Simple Pleasures-Film Edition

Simple Pleasures is a concept I've worked on for years.  Most of them are food related, but I thought I'd do one devoted to film and film cameras.  Please feel free to add yours in the comments.


1.  The click of a Hasselblad shutter.  (Unfortunately, I don't have one any more.)


2.  The smell of film chemistry.  (It might cause cancer, but it is one of my favorite parts of going to Coke's Camera.)


3.  The look of an image in a huge viewfinder.  (This is strictly a medium format thing.)


4.  The feeling of elation when the film comes back from the lab.


5.  Polaroid!  (Ok, now it is Fuji, but it is still such a creative medium.)

The Film Is In

And, I'm hooked!  Here are a few of my favorites.  


The Thornton:Ferguson wedding was held at Pineola Farms in Ft Valley, Georgia.  The weather was perfect and this was a great location and great couple to use for my film experiment.


For the pixel peepers and tech geeks (I am one), it is all Kodak 400NC 220 film shot with a Mamiya 645 AF with an 80mm f2.8 lens.  Everything was exposed in aperture priority mostly at f2.8.  The film was processed and scanned by Bay Photo.